J.J. on Jar Jar: Why?

The brilliant Vanity Fair article this week has given us a lot of scoops. Not only do we have names for two more characters, we also got some great interviews and behind-the-scenes photos. VF also sat down with J.J. Abrams, director of upcoming The Force Awakens, for an interview and unfortunately he once again catered to the so-called ‘prequel haters’ by discussing Jar Jar Binks. Talking to VF editor Bruce Handy, Abrams said:

“I have a thought about putting Jar Jar Binks’s bones in the desert [of Jakku]. I’m serious! Only three people will notice, but they’ll love it.”

Now, I’m all for jokes. I love jokes. However, Jar Jar Binks is a very controversial figure within the Star Wars-fandom. Many fans of the Original Trilogy use him as their favourite stick to bash the Prequel Trilogy with, arguing he is a ridiculous figure, disgraceful and not worthy of being in a Star Wars-film. It has come to the point where saying that you like Jar Jar, like I do, means you have to face a barrage of disagreement, if not abuse. The fact that the same things were originally held against the Ewoks in the OT is conveniently forgotten. Everyone is allowed their own opinion and you don’t have to like everything about Star Wars. Whether you like both the OT and PT or just one of them, you have a right to liking or disliking things. However, as I have previously argued, the disproportionate hate against the PT has led to many of its good points and layers of depth to go completely unnoticed. There is more to the figure of Jar Jar than most people acknowledge and I will be going into it below.

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Scene it? – Anakin and the Sandpeople

scene it 2Scene It? is a feature we’re hoping to do frequently, if maybe not each week. As the title may suggest, we’ll be looking at different scenes within the Star Wars-canon and analyse how they can be interpreted.

Today I want to look at a scene that I believe is crucial to the development of Anakin Skywalker and sets him on the path to the Dark Side. This is the scene between Anakin and his mother, followed by the slaughter of the Sandpeople and Anakin dealing with the consequences of his actions. In the second prequel film The Attack of the Clones (2002) Anakin Skywalker goes through an enormous amount of development. The last time we see him he was a child, who had left home behind and was about to start training as a Jedi-padawan. In TAoC, Anakin has grown into a young man who is struggling with being mature at all times. He is torn between following his emotions and his high expectations of himself.

The scenes on Tatooine are truly tragic and, for the first time, we see Anakin take a conscious step towards the Dark Side. Shortly after finding his mother, she dies in his arms before being able to say she loves him. George Lucas and Hayden Christensen show us an Anakin who is already conflicted between what he knows is right and what he feels. I want to spend some time analysing what happens in this moment to show how delicate the film is in showing us Anakin’s development. The two scenes in the video above are the ones I will be looking at.

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SWC: Anaheim 2015

The Risk of Ignoring the Prequels

With the release of the second The Force Awakens teaser trailer on the 16th of April, Star Wars has once again positioned itself as a major Force to be reckoned with. I myself was swept right along by the excitement and spent the following days in a state of ecstasy while watching the live feed from Star Wars Celebration: Anaheim. In the excitement, however, there were a number of extremely bittersweet moments for me, starting during the opening panel with JJ Abrahms and Kathleen Kennedy. It seems that not a single conversation about Star Wars can occur without subtle, or not so subtle, shade being thrown at the prequel films (The Phantom Menace, The Attack of the Clones, The Revenge of the Sith). And after mulling it over, and over, I have realized I can’t be the only Star Wars-fan who is wondering why and questioning what this will do to the fandom.
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