Tag: Anakin Skywalker

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Asajj Ventress on Teth - starwars.wikia.com

‘I am fear’: Asajj Ventress and the Strong Woman

JuliWitte

AsajjventressheadshotobsessionAsajj Ventress, as voiced by Nika Futterman, is a character that fascinated me, and many others, from the first moment she graced our screens in Star Wars: The Clone Wars, both film and series. Initially introduced as a Commander in the Separatists’ army and an apprentice to Count Dooku, Asajj Ventress is a feared force in the galaxy during the Clone Wars and the nemesis of Obi-Wan Kenobi and Anakin Skywalker. Although this post will largely focus on her portrayal in the 2008 TV show, it is worth mentioning that many of the things briefly mentioned below are worked out in great detail in comic books and novels which are all worth reading. This post will contain spoilers for those who haven’t watched Star Wars: The Clone Wars in its entirety.

In the comic series Star Wars: Obsession Asajj says of herself:

“I am fear.”

Ingeniously, this applies to her character in two ways. On the one hand she is a woman feared throughout the galaxy because of her strength and her ruthlessness. On the other hand, she is a woman who is terribly afraid herself. Asajj is a character who is frequently used as a pawn by others. Most notable in that respect is her relationship with Count Dooku, starting when he presents her to Darth Sidious who sends her out to kill Anakin Skywalker. She is used by both men to further their own agenda. Dooku shows his loyalty to Sidious and Sidious is able to trigger Anakin to use his anger as a way of defeating his enemies. After this defeat, Asajj becomes an assassin for Dooku while always hungering to be trained as a full Sith. She is kept on the periphery by Dooku and Sidious, never fully trained, never fully accepted, which means she is constantly striving to prove herself to others and fearing that she is lacking. This comes to a close in the 12th episode of the third season of The Clone Wars when Sidious starts to consider her a threat and orders Dooku to eliminate her. He does so by betraying her during the Battle of Sullust and she is left for dead.

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The Prequel Trilogy & the Noughties

Rogue 47

The Phantom Menace is still widely considered to be the most anticipated film in history and only The Force Awakens seems to be a contender of taking that title. The Prequel Trilogy however divided audiences in a manner very different from how the Original Trilogy had. I argued that Original Trilogy had been a defining cultural moment for a new generation due to its strong resonance with the world events as well as the daily lives of young people between ’77 and ’83. For the Prequel Trilogy this is even more true. However by ’99 the world had changed dramatically since ’83 and was on the verge of further dramatic change. This not only shaped the reception of the films, it shaped the divide that ensued.

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Padme Amidala in 'The Phantom Menace' - from http://starwarsscreencaps.com

Scene It? – Padme’s Choice on Mustafar

JuliWitte

scene it 2In today’s Scene It? post I’ll be looking at one of the most heart-breaking scenes in The Revenge of the Sith (2005), the third prequel film which depicts Anakin’s switch to the Dark Side of the Force. I am, of course, talking about the scene between Padme and Anakin on Mustafar, shortly before the battle between Anakin and Obi-Wan. Naturally, this post contains spoilers for The Revenge of the Sith. If you want a quick refresher on the scene, help yourself to the video below, the first half of which I will be discussing:

Some of the criticism directed towards RotS focused on the development of Padme Amidala’s character. In The Phantom Menace she is a young queen, exclusively focused on saving her planet from being taken over by the Trade Federation. In The Attack of the Clones she returns as a senator of Naboo and a key senator in trying to stop the outbreak of a war. We also see her trying to cope with her feelings for Anakin Skywalker and fighting for her life. In The Revenge of the Sith, Padme and Anakin are married, with the twins on the way, while she continues in her role as senator. As the Republic falls apart, so, it could be argued, does everything she has worked for. The difficulty with which Padme switches between her roles as  senator and wife is, I believe, on purpose.  As Anakin slowly loses himself it becomes harder for her to unite her principles with her emotions. The reason this scene is heart-breaking is because everything Padme believed in has either been corrupted or fallen apart. Below I will discuss why her choice of response to this is one which is probably singular in modern cinema and makes her stand out as one of the strongest women in sci-fi.

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Ahmed Best and Jake Lloyd

Parallel Lives: Jar Jar and Anakin

Rogue 47

When George Lucas made the choice to start the Prequel Trilogy with Anakin Skywalker as a kid and to include Jar Jar Binks as a character he must have had an inkling of what was coming. But he must have made this choice deliberately because of its story-telling value. In this post I want to have a look at how intimately the stories of these two great characters are entangled and how they mirror each other. Unwittingly, in their joint rejection of these two, the prequel-bashing community not only misses out on a vital element of the story Lucas tried to convey. But above all they confirm the message that is in Jar Jar and Anakin’s story for those who did make the effort to recognize it.

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Scene it? – Anakin and the Sandpeople

JuliWitte

scene it 2Scene It? is a feature we’re hoping to do frequently, if maybe not each week. As the title may suggest, we’ll be looking at different scenes within the Star Wars-canon and analyse how they can be interpreted.

Today I want to look at a scene that I believe is crucial to the development of Anakin Skywalker and sets him on the path to the Dark Side. This is the scene between Anakin and his mother, followed by the slaughter of the Sandpeople and Anakin dealing with the consequences of his actions. In the second prequel film The Attack of the Clones (2002) Anakin Skywalker goes through an enormous amount of development. The last time we see him he was a child, who had left home behind and was about to start training as a Jedi-padawan. In TAoC, Anakin has grown into a young man who is struggling with being mature at all times. He is torn between following his emotions and his high expectations of himself.

The scenes on Tatooine are truly tragic and, for the first time, we see Anakin take a conscious step towards the Dark Side. Shortly after finding his mother, she dies in his arms before being able to say she loves him. George Lucas and Hayden Christensen show us an Anakin who is already conflicted between what he knows is right and what he feels. I want to spend some time analysing what happens in this moment to show how delicate the film is in showing us Anakin’s development. The two scenes in the video above are the ones I will be looking at.

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